When was merete rasmussen born




















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Hiroki Yamamoto Japan, 1. Related Books Free with a 30 day trial from Scribd. My Mistake Daniel Menaker. The Writing Life Annie Dillard. The Writing of Fiction Edith Wharton. Related Audiobooks Free with a 30 day trial from Scribd. The Art of the Novel Milan Kundera. The Best of Second City: Vol.

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Carmen Madruga. Virginia Fortuna. Views Total views. Actions Shares. No notes for slide. Merete Rasmussen Danish, 1. Merete Rasmussen Danish, 2. Pangolin Gallery London 3.

Evolve, 4. Pangolin London 5. Morphogenesis ceramic 6. Blue Form, wall mounted ceramics 7. You have to look at it for a while to realize how it is connected. Yellow Form, ceramic 9. Red loop ceramic Blue twisted form wall , ceramic The museum was founded in Orange Cursive Wall Sculpture Orange Dark blue twisted loop Perpetual Red, painted bronze, London Pangolin Made in London Stoneware, hand-built, with sprayed matt red glaze Museum no.

Ceramics Collection. Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis.

We are committed to addressing these issues, and to review and update our records accordingly. You can write to us to suggest improvements to the record. Suggest Feedback. You may also like. If a sculpture is made for a specific site the surrounding environment is of course taken much more into account. A: You were born in Denmark and raised in Sweden, how has your upbringing influenced your artistic practice?

MR: I grew up in a beautiful calm part of southern Sweden, with open landscapes and the sea nearby. Nature was initially my inspiration when I started with ceramics, but I became increasingly interested in abstract form itself. I believe design and architecture in my surroundings also had its impact; light and space is important in my work. A: Your work varies widely in terms of scale, colour and shape.

Would you say your approach to creating work is a pre-planned process or is it purely spontaneous? MR: I have a quite specific idea about what form I want to make from the start and make small models beforehand, also sketched in clay.

When I work on larger pieces it is much more technically challenging and it is necessary to plan the way to make it beforehand. As I create the form, the idea of its colour intuitively becomes clearer. For more information, visit www. Follow us on Twitter AestheticaMag for the latest news in contemporary art and culture.



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